• Tube-like overdrive with advanced tone control
• Sweepable Midrange for precise harmonic shaping
• Mix control to preserve your amp’s natural breakup
• Active Bass and Treble shelving filters
• Up to 30 dB of pre- or post-clipping, footswitchable boost
• Built-in analog clipping meter with selectable LED colour
• Adaptive noise gate

BREAKUP CONTROL

Most overdrives shape tone after distortion. The Empress Drive shapes it before. With the Midrange control placed ahead of the overdrive stage, adjusting it changes which frequencies push the circuit into saturation. Boost lower mids for thicker breakup, emphasize upper mids for bite and articulation, or pull them back to tighten the response and reduce harmonic density.

Instead of accepting a fixed voicing, you decide how the circuit reacts to your playing dynamics and guitar volume. The result is overdrive that responds with intention rather than imposing a single character.

A RANGE OF VOICES

The Empress Drive isn’t modeled after one specific amplifier. It’s built to move between styles. Dial in mid-forward tweed-style warmth, tighter British crunch, or cleaner, punchier breakup without swapping pedals.

Assignable pre- or post-overdrive boost lets you reshape saturation or simply raise output level. The mix control preserves your core tone while adding drive, and post-mix shelving EQ keeps everything balanced. It can act as a second gain channel or live on your board as a foundation tone that enhances what your amp already does well.

BUILT-IN GAIN STAGING

Stacking boosts and overdrives works, but it adds noise, cost, and board space. The Empress Drive integrates up to 30dB of assignable pre- or post-overdrive boost directly into the circuit. Push the overdrive stage harder for more saturation and compression, or engage post-overdrive boost to lift your level without changing gain character.

Combined with the mix control and post-mix EQ, you get clarity, punch, and balance without having to rely on multiple pedals.

ANALOG CONTROL

The Empress Drive runs on a fully analog signal path designed for organic breakup and natural compression. An adaptive noise gate listens to your input and responds to how you play, reducing unwanted hum at higher gain settings without cutting off sustain. It stays out of the way until you need it.

And yeah, there’s a VU meter. It shows how hard you’re driving the overdrive stage in real time. It’s not there to be clinical, it’s there because watching the needle move while you play is surprisingly revealing... and sometimes just plain satisfying.

SPECIFICATIONS