Discover the captivating history captured in *CSA: The Radical, the Reactionary and the Canterbury Society of Arts 1880-1996*. This insightful book, authored by Warren Feeney and published by Canterbury University Press, chronicles the vibrant cultural landscape of Canterbury, New Zealand, over the span of nearly a century. Through 224 pages, you will uncover how the Canterbury Society of Arts (CSA) offered crucial support for the arts, countering the notion that art societies stifle radical creativity. Experience the rich legacy of the CSA, which was established in 1880 by determined European settlers who aimed to cultivate serious New Zealand artistic talent. Featuring a diverse array of notable members such as Petrus van der Velden, Colin McCahon, and Frances Hodgkins, this book showcases how the CSA played a pivotal role in nurturing generations of groundbreaking New Zealand artists. Whether you are an art aficionado, a student of New Zealand history, or just looking to expand your library with unique cultural insights, this historical account will challenge your perceptions and enhance your understanding of art's evolution in NZ. Perfect for those interested in the evolution of modern art and cultural institutions, *CSA: The Radical, the Reactionary* is not just a book; it’s an essential exploration of New Zealand’s thriving art scene from 1880 to 1996. Enjoy hassle-free delivery across New Zealand as this product is in stock locally, eliminating any unexpected import charges or custom duties. Smartfox NZ is committed to providing excellent services, including combined shipping options.

CONDITION: Brand New

Pages: 224

Author: Warren Feeney Publisher: Canterbury University Press
Publication Date: 01-10-2011

The Canterbury Society of Arts domin-ated the cultural life of Canterbury for nearly a century, and played a vital role in the development of New Zealand art. Whereas art societies are often assumed to be conservative and reactionary institutions that failed to nurture the work of younger or more radical artists, this fascinating and entertaining history reveals a different story. The CSA was formed in 1880 by Euro-pean settlers resolute in their vision to nurture serious New Zealand artistic talent. From the start, the institution emerged as a vital and sometimes uncompromisingly progressive arts organisation that had, over its life, a total of 2259 working members. For almost 100 years the CSA provided valued support for the arts, exhibiting the early work of generations of leading New Zealand artists, including Petrus van der Velden, Raymond McIntyre, Margaret Stoddart, Rhona Haszard, Frances Hodgkins, W. A. Sutton, Colin McCahon, Michael Smither, Neil Dawson, Andrew Drummond and Pauline Rhodes. Directors and committees came and went, numerous obstacles and controversies were encountered, yet the CSA secured Christchurch’s reputation as the artistic capital of New Zealand in the middle years of the 20th century. CSA: The Radical, the Reactionary and the Canterbury Society of Arts 1800–1996 invites readers to reconsider the history of the arts in New Zealand.

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